Michael Sarnoski (Pig, A Quiet Place: Day One) breaks down how he and DP Pat Scola made The Death of Robin Hood for A24. Shot on 35mm Kodak film in Northern Ireland through brutal weather, a fully practical burning hut built to survive 15-minute takes, and a deliberate aspect ratio shift that marks the story's turn. We get into the brutal/beautiful balance at the heart of the film, how rigid the shot list actually is on set, and why "natural light" is more precise and deliberate than it looks.

Id. d’épisode : 1000773471661

GUID : 3de413c1-7001-4d6a-8564-e4cdc162aeaf

Date de publication : 20/6/2026 à 00:41:13